Wednesday, March 13, 2013

All about Adhesives!

Hey IBF friends!


March is all about adhesives at I've Been Framed!
If you haven't been in yet to check it out, here are some bits and blips of what has been going on at the store.

Kristi put a lot of effort into a glue chart that will help you see which glues work for gluing certain surfaces and materials. Super helpful and informative. Check it out!








We now have a "Try it" station located by the front door! We love when our customers get to participate and learn about different products with us. There's really no better way than to get your hands in it! But please be careful when handling the broken glass!
This month's try it station features a reclaimed sculpture currently in progress. We have a bin of broken up plates and cups and a bunch of different kinds of glues. Come help us piece together what will be the fabulous GLUE TROPHY! 
It's growing everyday!





Here we have IsaBellaFunk modeling a fabulous neck piece made out of hot glue! 
She's such a fashionista!



Here are some other hot-glue sculptures we have hanging above our display!



We are also hosting a contest!

Got some good glue tips and tricks? We'd like to know! We are running a contest until the end of the month at the shop. The rules? write down your best glue tip on a piece of paper. It can be for any kind of glue.. any tip or trick you know that is clever (see example below). Drop your paper complete with glue advice, your name and contact info into our contest entry box (located at the front of the store). We will chose a winner at the end of the month! The winner will receive the glue trophy and a glue goody bag. All of the tips and tricks entered will be displayed in the glue section of our store for all to see! Good luck and thanks in advance for all of you participants!


Example glue tip:

To make the annoying glue strings dissapear after using a hot glue gun. After your project is complete, get out your hair dryer and blast the project with a bit of hot air for a few seconds and watch the strings disappear  Be careful not to use the hair dryer for too long or else you might reheat the hot glue and ruin your project.


So that's only some of the sticky fun that we have going on at the shop. If any of this interests you, come on down and check it out! We'd love to talk glue with you. If you have any questions please call or come in and talk to one of our friendly and informative associates! 




Thursday, February 21, 2013

Origami week at IBF




 It's Origami week at the store until March! Come check out our Origami display. We have lots of great paper packs, instructional books, Rolls of yellow paper for $1 each that you can make giant paper cranes with. We even have a free origami instruction booklet with free sheets of paper so you can try paper folding for yourself, or help us out in trying to make 1000 paper cranes!

The Meaning and Origin of Origami:

Origami, from ori meaning "folding", and Kami meaning "paper" (kami changes to gami due to rendaku) is the traditional Japanese art of paper folding, which started in the 17th century AD at the latest and was popularized outside of Japan in the mid-1900s. It has since then evolved into a modern art form. The goal of this art is to transform a flat sheet of paper into a finished sculpture through folding and sculpting techniques, and as such the use of cuts or glue are not considered to be origami.
Paper cutting and gluing is usually considered Kirigami.
The number of basic origami folds is small, but they can be combined in a variety of ways to  make intricate designs. The best known origami model is probably the Japanese paper crane. In general, these designs begin with a square sheet of paper whose sides may be different colors or prints. 
Traditional Japanese origami, which has been practiced since the Edoera (1603-1867), has often been less strict about these conventions, sometimes cutting the paper or using non-square shapes to start with. The principles of origami are also being used in stents, packaging and other engineering structures.
Almost any laminar (flat) material can be used for folding; the only requirement is that it should hold a crease.
Origami paper, often referred to as "Kami" (Japanese for paper), is sold in prepackaged squares of various sizes ranging from 2.5 cm (1 in) to 25 cm (10 in) or more. It is commonly colored on one side and white on the other; however, dual colored  and patterned versions exist and can be used effectively for color-changed models. Origami paper weighs slightly less than copy paper, making it suitable for a wider range of models.
Normal copy paper with weights of 70-90 g/m2 can be used for simple folds, such as the crane and &nb 100 g/m2 (approx. 25 lb) or more can be wet-folded. This technique allows for a more rounded sculpting of the model, which becomes rigid and sturdy when it is dry.
Foil-backed paper, as its name implies, is a sheet of thin foil glued to a sheet of thin paper. Related to this is tissue foil, which is made by gluing a thin piece of tissue paper to kitchen aluminium foil. A second piece of tissue can be glued onto the reverse side to produce a tissue/foil/tissue sandwich. Foil-backed paper is available commercially, but not tissue foil; it must be handmade. Both types of foil materials are suitable for complex models. Washi is the traditional origami paper used in Japan. Washi is generally tougher than ordinary paper made from wood pulp, and is used in many traditional arts. Washi is commonly made using fibers from the bark of the gampi tree, the mitsumata shrub (edgeworthia papyrifera), or the paper mulberry but can also be made using bamboo, hemp, rice and wheat. 
Artisan papers such as unrya, lokta, hanji, gamp, kozo, saa and abaca have long fibers and are often extremely strong. As these papers are floppy to start with, they are often back coated or re-sized with methylcellulose or wheat paste before folding. Also, these papers are extremely thin and compressible, allowing for thin, narrowed limbs as in the case of insect models.
Paper money from various countries is also popular to create origami with; this is known variously as Dollar Origami, Orikane, and Money Origami

TOOLS:

It is common to fold using a flat surface but some folders like doing it in the air with no tools especially when displaying the folding. Many folders believe that no tool should be used when folding. However a couple of tools can help especially with the more complex models. For instance, a bone folder allows sharp creases to be made in the paper easily, paper clips can act as extra pairs of fingers, and tweezers can be used to make small folds. When making complex models from origami crease patterns, it can help to use  a ruler and a ballpoint embosser to score the creases. Completed models can be sprayed so they keep their shape better, and a spray is needed when wet folding.

One Thousand Origami Cranes:

Senbazuru is a group of one thousand origami paper cranes, (tsuru) held together by strings. An ancient Japanese legend promises that anyone who folds a thousand origami cranes will be granted a wish by a crane. Some stories believe you are granted eternal good luck, instead of just one wish, such as long life or recovery from illness or injury. This makes them popular gifts for special friends and family. The crane in Japan is one of the mystical or holy creatures (others include the dragon and the tortoise) and is said to live for a thousand years: That is why 1000 cranes are made, one for each year. In some stories it is believed that the 1000 cranes must be completed within one year and they must all be made by the person who is to make the wish at the end. Cranes that are made by that person and given away to another aren't included: All cranes must be kept by the person wishing at the end.

A thousand paper cranes are traditionally given as a wedding gift by the father, who is wishing a thousand years of happiness and prosperity upon the couple. They can also be given to a new baby for long life and good luck. Hanging them in one's home is thought to be a powerfully lucky and benevolent charm.
Several temples, including some on Tokya and Hiroshima, have eternal flames for world peace. At these temples, school groups or individuals often donate senbazuru to add to the prayer for peace. The cranes left exposed to the elements, slowly dissolving and becoming tattered as the wish is released. In this way they are related to the prayer flogs of India and Tibet.
In Western countries, the custom has been extended from giving a senbazuru to cancer patients to using them at funerals or on the grave.

Sadako Sasaki:

The thousand origami cranes were popularized through the story of Sadako Sasaki, a Japanese girl who was two years old when she was exposed to radiation from the atomic bombing of
 Hiroshima during World War II
. Sasaki soon developed leukemia and, at age 12, inspired by the senbazuru legend, began making origami cranes with the goal of making one thousand. In a popular version of the story as told in the book Sadako and the Thousand Paper Cranes, she folded only 644 before her eath; in her honor, her classmates felt sorry and agree to complete the rest for her. In an alternate version of the story, the Hiroshima Peace Memorial Museum states that she did complete the 1,000 cranes and continued past that when her wish did not come true.




Wednesday, January 30, 2013

Duct Tape Roses





Rachel's a very talented Rose-Maker

Roses say "I love you". Duct tape roses say "I love you forever!"

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Want to learn how to make your own?

Here's a great video tutorial.


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We have all kinds of Duct Tape available. 
Make some roses and send us pictures!



Wednesday, November 28, 2012

Homemade gift ideas

This week we will be posting on our Facebook some ideas or inspiration for handmade simple gifts this year that don't cost you much or you might even have all the stuff for at home! Do you have ideas? Or favorite handmade gift traditions that you want to share? Feel free to post your ideas or how-to links here on our FB or shoot us an email! The holidays are so much better with handmade gifts & fun!














Monday, November 12, 2012

Thankful Tree


We brought out our annual thankful tree and we'd love to invite you all to participate with us! Every November we set up our tree and decorate it daily, by writing something that we are thankful for on a paper leaf and hanging it up. It's such a fun way to remember all that we have and all that is beautiful in our lives. Finding something to be thankful for in every situation is good to practice every single day of the year, but it's especially appropriate this month as we get ready to celebrate Thanksgiving.

So what are you thankful for? 
I know I probably sound like a broken record by now, but what we are most thankful for at the store is definitely all of you. We have the most amazing customers and because of that, our business has been blessed beyond what we could imagine. So thank you for all of your support over the years.

Happy Thanksgiving everyone!




 “If the only prayer you said was thank you, that would be enough.” 



Friday, November 9, 2012

Acrylic Flow Release medium

Acrylic Flow Release is one of the paint additives created by Golden Artist Colors that I had yet to play around with. I knew only vaguely what it was for and I suspected that once I understood what it was capable of doing, it could very well be something that I might find useful in my own art. I did some reading on Golden's website and watched a few videos before I decided to experiment on my own. Below is a product description straight from Golden. If you'd like to read more or watch a video demonstrating it's use, you can follow the link here.

PRODUCT DESCRIPTION

GOLDEN Acrylic Flow Release is a surfactant. A surfactant is a concentrated surface-active liquid which reduces surface tension, thus improving wetting and increasing the flow of acrylic waterborne paints.
A surfactant is used several ways in acrylic paint making. Surfactants are used to "wet out" pigments to ease their introduction into an acrylic resin, medium or gel. They can also be added to thinner paint mixtures, such as stains, to help reduce surface tension.
Acrylic Flow Release is very useful for staining techniques, as it dramatically reduces the surface tension between the stain (paint/water) and the support. Certain supports, especially raw canvas, are inherently water repelling in nature and require the use of such a surface-active agent to allow the stain to wet and penetrate into the support.


 I decided to try the technique of mixing the  Flow Release with water and using it to coat the canvas before I poured on the paint for a wet-on-wet application.



Next I used Golden's airbrush paint for the color wash since it is already watered down to a very fluid consistency, perfect for staining effects.


To demonstrate how the paint reacts to the Flow-Release/water mixture I splashed a few drop of the paint onto my canvas. The dab of paint on the bottom was applied over the Flow Release and the dab of paint on the top is without Flow Release. As you can see, the Acrylic Flow Release dramatically brakes the surface tension and allows the paint to wet-out and absorb into the canvas instantaneously instead of balling up as usual. 
HOLY SCIENCE! ;-) 



Notice the bubbles in my Flow Release mixture above? This was caused by stirring the Flow Release into the water too vigorously. Next time I will be more careful to prevent this from happening. I tend to always do things the wrong way the first time around. This is how I learn, because reading the directions is just too painful!


Next I covered the entire canvas in my Flow Release mixture and then proceeded to squirt generous amounts of magenta, yellow and white airbrush paint over the top.


Lastly, I used the end of a brush to swirl the colors all together, sort of creating a marbled effect as you can see. I then lifted the canvas and rotated it, allowing the paint to drip and spread out until it covered the whole surface area.


I LOVE how it turned out and I think this is a fantastic way to create an interesting base for a painting and I'm sure i'll be using this technique again soon.




Here is an up-close of the marbled paint. After everything, all I had to do was lay it flat to dry untouched... which is easier said than done when you live with a two year old. I would show you the finished product but needless to say, it now has the addition of several finger prints, scratches and even part of a foot print  (not even joking). 

Hopefully you found this little experiment of mine useful, and if not, I hope it at least inspired you to experiment with a new medium you've never explored before. I was really fascinated with what I could do using the Flow Release medium and I'm sure i'll be using it again in the future. A couple of things that I think are very important to be aware of with this product is to remember that it is VERY concentrated and your paints will become tacky and unable to dry completely if you add too much, so use the proper mixing ratio that is stated on the label. Also, remember not to mix too vigorously! Nobody wants to deal with those pesky bubbles in their art.

Happy painting &
Thanks for reading!

-Heather @ IBF